Sunday, March 4, 2018

Weird Al's Ill-Advised Vanity Tour: My Impressions

Weird Al is known for, well, quite a few things. At the most basic, though, he’s known
as a parody artist, for talking the most popular songs of an era and reworking the
lyrics and the sound with hilarious results. Madonna’s “Like a Virgin” becomes “Like
A Surgeon,” Michael Jackson’s “Beat It” become “Eat It,” and so on, and over time
most artists came to regard it as a sign that they’d “made it,” if Weird Al did a parody
of one of their songs (with the notable exception of the artists behind “Gangster’s
Paradise” who were …not please with Al’s version, “Amish Paradise,” at least initially.


He was also known for his high-energy concerts, featuring elaborate costumes and
stage sets and videos between songs. Because of their complexity, his concert tour
appearances tended to be basically the same at each stop.


The thing is, only about half the songs on each album are parodies, and fans, the
kind of fans who pay tickets for concerts, love those original songs. Added to that,
his concerts are, by his own report, kind of exhausting. So, this time around, he
decided to do a very different kind of concert. He’d have an opening act, followed by
Al and his band sitting down and playing a bunch of their originals. He was up front
that only those who are really into his music would be up for it, an audience that
includes my wife and I, and so we bought each other tickets for Christmas and, on a
chilly night in March, headed to the Music Hall in Portsmouth.


The opening act was Emo Phillips, who was significantly funnier than I remembered
from his appearances on Night At The Improv and Caroline’s Comedy Hour, and I
remember him being the funny. After he had finished making us all laugh, there was a
quick break while the stage hands set up for the concert, and then the guys walked
out and sat down. Al’s guitarist to his left, bassist to the right, drummer behind and to
the left, keyboardists behind and to the right, and after a bit of banter, they got into their
set list.


“Midnight Star”
Off of “Weird Al In 3-D,” this paean to the supermarket tabloid has always been a favourite of mine. The
vibe of playing this in concert was fun, with the musicians interacting more and it was obvious they
genuinely found it as funny as we did.


“The Biggest Ball Of Twine In Minnesota”
Showing that sometimes art imitates life, Minnesota was actually the home to the biggest ball of twine in the
world prior to the release of this song but, whatever. This song’s a light mockery of weirdo Americana, and was
obviously familiar to the audience as we all sang along to the chorus, at least. The highlight, though, was the
guy in the center of the auditorium who stood up and held high his sign emblazoned with “Twine Ball Or
Bust.”


“Stuck In A Closet With Vanna White”
This was the first song of the concert that I’d really hoped I’d hear and I wasn’t disappointed. The acoustics
were still getting nailed down at this point, so I think people who didn’t know the song couldn’t understand
the lyrics, but I did, and it was magical.


“Let Me Be Your Hog”
Yep, he played all 16 seconds of this magical gem.


“Truck-Driving Song”
Probably my favourite original off of “Running With Scissors,” this was an excellent rendition of the song,
made better by Al trying and often failing to reach the low notes, and settling for a sort of buzzing baritone
that was kind of adorably frustrating to him. His vocals were still strong, though, and this is the first time
the band really got a chance to show off. Al’s the mad genius in the lab but, sincerely, they are a huge part
of his success, and here we got to see just how true that is.


“You Don’t Love Me Anymore”
This was his longest banter of the night, as he told the story of how his label forced him to do a video like
Extreme’s “More Than Words” even those this wasn’t, y’know, a parody of Extreme. At all. This was the
second song that I really wanted to hear that night and it did not disappoint, at all. While it might have been
hard to here, I think “Stuck In A Closet” and “Let Me Be Your Hog” got Al and band ramped up for the
remaining songs.


“Craiglist”
From the first guitar lick, you can tell that this cromulent and wonderful song is a Doors pastiche, and he
sells it here, going all Lizard King, especially as he narrates the open letter to the barista. The rest of it’s
excellent as well, though, and really showcases the range of the band.


“Dare To Be Stupid”
So, if they’re doing a stripped down, mostly acoustic set, how did they pull off this ode to Devo? Easy - they
reskinned it as a Grateful Dead pastiche and, dang it, it worked really, really well. Like, really well.
Thankfully, they didn’t go on as long as the father of all jam bands, and just let the song come to its
naturally conclusion, somewhat longer simply because of the more laid-back playing style.


“If That Isn’t Love”
No, not a cover of the Elvis song, but another Weird Al song, a Hansonesque song about the way that
you show love changes as a relationship goes on. It’s hilarious, and genuinely kind of touching. I didn’t
know I wanted to hear this song but, there you go.


“Don’t Download This Song”
Al was cruel here - he made us think he was going to do the Hamilton Polka, and then he gave us this.
Still, anything that sends up those weird fundraising songs from the 80s is all right by me. Still, because
of what he pretended to promise, this was my least favourite song of the night.


“Nature Trail To Hell”
This is a personal favourite of mine, and I agree with him that this really ought to be the title song of a movie,
but thankfully it isn’t so he was able to sing it for us without any complications. This is just a sweet little
ditty about, well, a nature trail to hell, shot in 3-D so it feels like the guts are really spilling out into your lap.
Just gruesome enough to appeal to a teenage me, and funny enough to continue appealing to me
decades later.


“Jackson Park Express”
Yeah, that mega-track from “Mandatory Fun.” Before the song, he told us it was the most challenging song
of the night for them and, yeah, it was. You could hear a few miscues with the musicians, but given the
difficulty of the arrangement, and the hilarity of the lyrics, we all pretty much agreed to overlook it. This
isn’t my favourite Weird Al mega-track, but it’s a good one, and they did it a good turn.


“UHF”

I feel like if you’ve read down to the point where you’re reading about this song, it needs no introduction or
explanation. For any of you whippersnappers asking, “What’s ‘UHF?’ Is that a sports team?”, ask your
parents. For everyone else, yeah, it was as good as you think.


“Why Does This Always Happen To Me?”
While we were waiting for the concert hall to open up, we headed off to a local used music/DVD/video game
shop called the Bull Moose. If you’re in Portsmouth, check it out, because it’s fabulous. We found they had
“Poodle Hat” on sale, used, which includes this song. Christy wasn’t too familiar with the album, and neither
was I, but both of us remembered this title and joked that we hoped Al would play it to refresh our memories.
He did! Thanks, Al!


“One More Minute”
Should I have been nervous that as soon as he started playing a song in which the narrator says they’d rather
jump into a huge pile of thumbtacks than spend time with their lover, my wife little squealed with glee and
clapped her hands? Nah, nah, we’re probably fine. Anyhow, I was really hoping for this song, too, and it’s
even better in person than it is on the album, or in the video.


“I’ll Sue Ya!”
When I first heard this song, I really wasn’t impressed because it sounded like a kind of dumb joke being told by
a lousy comedian. So, when Al introduced this as a dumb joke being told by a lousy comedian, well, it was kinda
hard to hate it after that. Still not my favourite, but a decent amount of fun.


“Unplugged Medley”
This was the last official song of the night, although even Al joked, “Well, this is our last song unless, I dunno,
we come back for an encore, but who does THAT?” The answer, of course, is that Al always does an encore.
Anyhow, he actually dug into his parodies here but, like “Dare To Be Stupid,” restyled each of them. We got a
bluesy, Eric Clapton version of “Eat It,” a lounge singer’s interpretation of, “I Lost On Jeopardy,” a Santana
pastiche of “Amish Paradise,” Stan Getz’s “Smells Like Nirvana,” “White And Nerdy” a la Buddy Holly, and then
Ricky Valley’s version of “I Love Rock Road,” finishing off with an ear-shattering, triumphant, wailing Mariah Carey
cut of “Like A Surgeon.”


“Johnny B. Goode”
No tricks, no goofing around, no pretending, this was just a straight up cover of Chuck Berry’s Johnny B. Goode,
one that leaned into the song’s proto-Motown song and guitar licks. They didn’t overstay their welcome, though.


“The Saga Begins”
Okay, this made me tear up a little bit, because while the evening was great, there weren’t any songs so well-known
and popular that the entire audience could sing along, and part of the Weird Al concert experience is singing the
songs with him, when you can. The hall was packed, and about 900 people belted out the story of Obi Wan Kenobi
and The Phantom Menace for the duration, and so when the stagelights went out and the house lights came on, I
left rather satisfied.

I’ve been to two Weird Al concerts before, and neither were a bit like this one, and I think that’s a good thing. Maybe
Al will get back to his old way of performing, maybe he won’t, but I really feel like Christy and I got a chance to be
part of something special last night, and it’s a concert we’ll remember for a long time.

No comments:

Post a Comment